Welcome! And About Me

The Header photo above was taken and printed by Lee Waddell, 1987.

Copyright Warning:   Please note that all material on this site is copyright and any reuse requires my express permission.  If you want to reprint any of my writing, please make contact via the email address below. I’m unlikely to refuse, but if it is for a commercial use, I will expect adequate remuneration.

I am a writer, poet, editor, and essayist with academic qualifications in these fields.
I am also a musician and singer.  I have lived with the chronic inflammatory condition Rheumatoid Arthritis since the age of 20 and this has had a profound effect on my work and outlook.
I have been uploading my archives from 25+ years of writing and publishing to this site, lizhalldowns.com, where I also blog about things that interest me.
My 6 published books of poetry are also available here for free download.

I am interested in literary fiction and biography, music and performance, psychology, wildlife and habitat conservation, recycling and upcycling, disability rights, feminism, and sustainable lifestyles.

My partner and I keep parrots, who provide us with endless joy, laughter, love, and stimulation. For 18 years, from 2000, we lived on a forested acreage property set aside for wildlife conservation under a voluntary agreement where we built our ecofriendly house using recycled and upcycled materials. In 2018 we made a seachange, still in Southeast Queensland, but now on unceded Quandamooka Country in beautiful Moreton Bay.

Lots of stuff about my poetry, writing, music, published articles, and book reviewing can be found via the ‘Pages’ tabs at the top of this page.

Archival performance poetry videos can be found under the ‘Fit of Passion’ pages (link just below this one), and also here: https://lizhalldowns.com/poetry-performance-archives/my-solo-poetry-video-archives/

And if you’re here for the music, HERE IS THE LINK TO THE SWAMPFISH MUSIC PAGE: 

SWAMPFISH duo audio, video and musical biographies.



And HERE is the link to the entire ‘FIT OF PASSION’ poetry and music show archive from the 1990s:


There’s also an essay on this site about The FoP project that discusses its genesis, touring, funding and it’s reception out in the world, ‘Fit of Passion: writing the poetry of gender’. You’ll find this in the list bottom of the page right.

Following the happy inclusion of one of my very old poems in the Picador collection, ‘#MeToo: Stories from the Australian Movement’(2019) here’s a link to that entire body of work, most of it written in the 1980s.  If the poem, ‘safe’ has led you here, here’s where to find the rest of it.


And here too is a little bit of #MeToo fiction, first published in ‘Conscious Razing: combustible poems’ in 1986 but still as relevant as ever.


Two local Brisbane history commissioned poetry collections from the 1990s (Boondall wetlands and Pine Rivers shire): search on this site for ‘People of the wetlands/wetlands haiku’ and ‘mountains to mangroves’.

Knock yourself out!  Scroll down for my resume and my reasons for making this blog/website.
But first, a quite flattering photo!  ( Ah, youth! I remember it well!)

Below: Liz Hall-Downs at The Railway Friendly Bar, Byron Bay, 1992.  Unpublished photo from shoot promoting ‘Writers at The Rails’ by The Northern Star staff photographer.)


Welcome to my blog!

If you enjoy what you read here, please consider supporting a crip freelancer and buying me a coffee. My Paypal link is here:


One more thing:

I have had this domain for four years now, but somehow doing this feels a bit narcissistic – like ‘building a monument to oneself’. BUT, then I remembered my background. To whit:   When I had my first university experience, (and I’m showing my age here), THIS is how we found stuff out:


In fact, my only run in with The Law ever was at age 12 when I was busted stealing books. I had worked my way through the school library, there weren’t many books at home, and I was hungry! So, things have changed somewhat. Now everything is available to everyone, at the touch of a button. If anything, it is overinformation that now drives us mad, and a ‘search’ takes a few seconds.

So … when I first began publishing poetry in 1984 I went through the – at that time – usual process. Submit by mail with a stamped, self-addressed envelope, wait anything from six weeks to two years for acceptance or rejection (and not to more than one place at a time or editors would be annoyed with you), then wait for the publication to come out in print.  Usually there’d be a launch of some type, and a limited print run (500 was usual for magazines and poetry books in Australia) was sent out into the world. Sometimes the collection of poetry or a literary journal issue would be reviewed in other literary magazines, and sometimes an individual might even get a mention.

So, my decision to post my previously published works on this site stems from this process. OTHER people at some point thought the work was good, and the poems in the collections were mostly chosen from those that had been previously published. All of my archives – books, posters, PR photos, set lists from shows, media clippings, tours, festivals, video and audio, etc – still existed, but in print or superceded formats such as VHS and Video8 only.

These days young poets just post videos on youtube without any of this vetting process. Add to this the rise of Slam and HipHop and we are living in a very different landscape. I have 70 entries on the AustLit Database, and was pleased to see someone had added me to the Wikipedia list of Performance Poetry pioneers. But, as far as the public record goes, that’s it. Not much to show from 25 years of pretty full-on writing and performing activity.

So, there I was, in late 2017, living in a bushfire-prone part of the country, thinking that if I don’t publish my archives online, as far as OzLit is concerned, I never (or barely) existed.  Add to that the disappearance of literary journals such as Thylazine, which therefore also ‘disappeared’ a lot of my writing from the noughties when it went offline, and a blog collection seemed a good preservation option.  So, please excuse all the selfies and implied egotism. This is my world, my archive, and my blog.

Liz Hall-Downs (March 2018)

lizhd6@netscape.com (proud to still have a Netscape email address!)

Now here’s the formal Biography (in the third person, of course).

Liz Hall-Downs is an Australian writer, musician, feminist, conservationist, blogger, parrot lover and Rheumatoid Arthritis Warrior.

Active in OzPoetry since the early 1980s, she was a regular performer at Melbourne performance poetry venues for a decade, before moving north and working with music and spoken word artists in northern New South Wales and Queensland.

Individual poems and stories were published, as Liz Hall, in literary journals throughout the 80s and 90s, as she studied for a Bachelor’s degree majoring in writing, editing and literature at Deakin University in Melbourne.  In 1994 she married and changed her surname to Hall-Downs.  She has since been awarded a Master’s degree in creative writing from the University of Queensland.

Her published collections (re-released for free download on this site) are:

         My Arthritic Heart, PostPressed, Brisbane, 2006

      Girl With Green Hair, Papyrus, Melbourne, 2000

•Blackfellas Whitefellas Wetlands (Audio CD, with B.R. Dionysius and Samuel Wagan Watson), Brisbane City Council and Boondall Wetlands Environment Centre, 2000.

Mountains to Mangroves, commissioned by Brisbane City Council and Downfall Creek Bushland Centre, published online 1998. (Some of her text from this project appears on a ceramic mural at DCBC.)


Fit of Passion (with Kim Downs), Fit of Passion/Arts Queensland, 1997.

People of the Wetlands (1996) commissioned by Brisbane City  Council and published online on the Brisbane Stories website, 1996.

Writers of the Storm, 5 East Coast Poets, Tyagarah Consultants, NSW, 1993

Conscious Razing: Combustible Poems, self-published 1986

Under Her Eyes, self-published 1984.

Liz has had over 100 poems published in literary journals, and has performed her poetry all over Australia, at venues such as LaMama Poetica, the Dan O’Connell Hotel, The Tasmanian Poetry Festival, Woodford Folk Festival,  Down To Earth ConFest, Brisbane Writers’ Festival, the First Sydney International Poetry Festival, Adelaide Festival, and the Brisbane Poetry Festival.

She won the inaugural St Kilda Festival Slam in the early 90s, then worked with Nimbin’s StandUp Poets, and coordinated and toured the ‘Ozpoets’ troupe across the American midwest, taking out the Poetry Slam at the Austin International Poetry Festival in 1994.  Slam has since grown into an extraordinary monolith.  But Liz, despite identifying for many years as a ‘performance poet’, didn’t really feel comfortable with the competitive ethos of Slam, so much of which seemed to rely on quick laughs and crowd pleasing in order to ‘win’, and with work that was oftentimes highly politically-charged but with little real poetic structure or underlying craft.

Her largest collection, ‘Girl With Green Hair’ (Papyrus) was launched at the 2000 Brisbane Writers’ Festival.  Her poetry collection about her lifelong struggle with chronic rheumatoid disease, ‘My Arthritic Heart’, was derived from her University of Queensland Master’s thesis and published in Brisbane by PostPressed in 2007.

Then for a decade she took a break from writing and instead concentrated on singing and playing the autoharp in the alt-country duo, Swampfish, with her partner Kim Downs (guitar, banjo), gigging at local venues. They released a CD, ‘Homeward Dove’ in late 2014, and several of the tracks have featured on community radio across Australia.

As well as poetry she has published articles in the UK via Enabler Press on building sustainable eco-dwellings, and her experiences on the alternative literary scene in Australia through the 80s and 90s; book reviews for publications such as Thylazine and The Compulsive Reader; short stories in The Journal of Australian Studies, Idiom, and Verandah; and for ten years from 2000 assessed manuscripts for the Driftwood Agency in Adelaide.

As a writer with disability (severe Rheumatoid Arthritis since age 20), the internet is finally allowing her to more fully participate in the writing world, despite living a quiet lifestyle in southeast Queensland, where she and her partner attempt to live more sustainably. (The home they built together using recycled and upcycled materials saw them awarded the 2017 Logan City Council EcoChampion Award.)

She is currently working on a memoir, writing creative non-fiction, and blogging at http://www.lizhalldowns.com.


AND here is a more detailed Professional Resume, current as at 2010, which should convey a general idea of the kinds of work I have done, and still do.  Just in case someone wants to hire me!  Email: lizhd6@netscape.net)

Resume for Liz Hall-Downs

Community Artsworker, Freelance Writer & Editor,

Manuscript Assessor, Workshop Leader, Performer and Poet

Email: klizm@optusnet.com.au


M.Phil.(Creative Writing), University of Queensland, 2002

B.A. (Multidiscipline – Professional Writing and Literature), Deakin University (Vic), 1992

Certificate of Radio Production, BayFM, Byron Bay, 1993

Certificate of Sound Recording, AFTRS, Melbourne, 1990

State Enrolled Nurse certificate (now lapsed), 1980

Publishing History

 Poetry collection, My Arthritic Heart, PostPressed, Brisbane, 2006

 Essay, co-written with Kim Downs, ‘Who Needs Cows When You Can Have Koalas?’ published in book form – Alan Dearling (Ed), Another kind of space: creating eco-dwellings and environments (Enabler, 2002).

 Poetry collection, Girl With Green Hair, Papyrus, Melbourne, 2000

 Essay, ‘The Alternative Movement and the Australian Literary Scene’ published in book form: Alan Dearling(Ed), Alternative Australia: celebrating cultural diversity (Enabler, UK), 2000

 Historical/environmental poetry CD Blackfellas Whitefellas Wetlands (Liz Hall-Downs with B.R. Dionysius and Samuel Wagan Watson) produced by Brisbane City Council and Boondall Wetlands Environment Centre, 2000.

 Poetry collection, Mountains to Mangroves’ commissioned by Brisbane City Council and Downfall Creek Bushland Centre, published online 1998.

 Performance Poetry Collection and cassette of poems and original songs, Fit of Passion (with Kim Downs), published by Fit of Passion Collective with Assistance from Arts Queensland, 1997.

 Poetry collection, People of the Wetlands (1996) commissioned by Brisbane City Council and published online on the Brisbane Stories website, 1996.

 Poetry, stories and essays have appeared in publications including fourWtwelve, Coppertales, The Melbourne Age, Reveille disability Issues Magazine, Verandah, small packages, Journal of Australian Studies, Slam the Body Politic (CD – Synaptic Graffiti Collective), In Our Own Words Anthology (Ed Marlow Peerse Weaver, NC, USA, 2006), The Famous Reporter, QWC News and Subversions: generations of contemporary poetry (papertigermedia 2001), as well as in the online journals DIVAN, mangrove, Thylazine and The Drunken Boat.

Previous work areas:

 2000-1010: Freelance Manuscript Assessor for Driftwood Manuscripts (South Australia). I mostly read literary fiction, and some crime, poetry and health titles.

 2000s: Proofreader, Poetry Editor and Reviewer, for the Australian poetry e-zine, Thylazine (thylazine.org). Also a regular contributor of essays to Thylazine. Liz has written on such diverse topics as the history of Literary Cabaret, wild bird rehabilitation, the emergence of Street Poetry in the 1970s-1980s, and writing creatively about disability. Book reviewer for Sydney-based webzine The Compulsive Reader

 2005-2012: Twice-yearly 2 day workshops in poetry and performance with Year 11 students at Brisbane Grammar School. With my partner I teach writing, staging, performance, and running a sound system, culminating in a dinner performance for students, their families and staff on the second evening.

 One-off freelance writing jobs

 2004 Employed as a writer and researcher for Brisbane City Council’s ‘Creative Democracy: Homelessness’ Project

 2001-3 ‘Contributing Editor’ for the American poetry e-zine, The Drunken Boat (thedrunkenboat.com). Wrote ‘e-chapbook’ on disability, and articles on contemporary Queensland poetry, and performing the poetry of gender.

Conducted, compiled and edited a feature on 12 outstanding Queensland poets, and interviews with two working Australian writers who have based themselves overseas.

 Reviewer of poetry titles for ‘Australian Womens’ Book Review’ online, 2003-5.

 2000 Commissioned by Brisbane City Council & Boondall Wetlands Management Committee to write text for the CD cover of the ‘Blackfellas Whitefellas Wetlands’ Project.

 1999 With partner Kim Downs was employed on a casual (3 month) basis to run a series of creative writing for performance workshops with clients of the Prince Charles Hospital Mental Health Unit. The resultant group went on to form a performance group and publish several anthologies. We facilitated their first publishing effort and their appearances at the Queensland Poetry Festival.

 1998 Commissioned by Brisbane City Council and Downfall Creek Bushland Centre to run a series of community writing workshops, edit writing produced by community members into a collection (which was published online), and coordinate a public performance showcasing the work at the ‘Mountains to Mangroves’ Festival. Also commissioned to write a poem for a community-produced ceramic art installation on a wildlife theme that is now on permanent display at Downfall Creek Bushland Centre.

 1993-4 Radio presenter and producer of literary programme, ‘The Spoken Word’ on BayFM, Byron Bay.

 1994-95 – With my partner, Kim, coordinated a number of Performance Poetry and Jazz Music nights as part of the annual Brunswick Heads Riverfestival.

 1994-95 – Again with partner, Kim, supplied and ran PA, did PR, and MC’d and performed at regular (monthly) poetry and music nights at The Pink Dot, Brunswick Heads.

 1994 Coordinated, wrote and distributed PR, and organised bookings and accommodation and travel for the ‘Ozpoets’ Australian poetry troupe on a 6 week tour of the United States’ midwest.

 1989-90 Production Assistant for documentaries for Richmond Access Television, (now part of Channel 31) in Melbourne. Completed 3 month intensive course in ‘Multi-camera Production for Public Broadcast Groups’ at the Australian Film, TV and Radio School (AFTRS).

 1986 Coordinated staging and PR for the ‘Poets for Peace’ event at Richmond’s Carringbush Library (Melbourne) to celebrate the International Year of Peace.

 1983-90 Long involvement with the poetry and performance movement in Melbourne, occasionally running cafe and pub venues and one-off poetry events.

 I have taught creative writing workshops since 1984 in schools, universities, CAE’s, prisons, mental health facilities, and community arts settings.

 Late 1983 A-Z Music magazine, Melbourne: music and band reviews, gig guide coordinator, front desk reception

 Early 1983 Reception, secretarial, occasional writer with Small Business Reporter, Melbourne

 1979-81 Nursing Training at Alfred Hospital, Melbourne. Working as a nurse in both public adult and private (child disability) hospital settings.

Awards & Grants

 Beaudesert Shire Council/RADF Grant to launch and promote My Arthritic Heart in Melbourne in February 2007.

 The University of Queensland’s A.E.E. Pearse Prize for an English Postgraduate Essay, ‘Off the page, on the stage’, 2001, which was republished in several versions.a

 Awarded a writers’ fellowship at Booranga Writers’ Centre, Wagga Wagga, to work on the ‘illness narrative’, My Arthritic Heart, 2001

 Arts Queensland grant to tour the collaborative poetry and music show, Fit of Passion, through regional Queensland, to conduct community writing workshops, and to produce a book and recording of the material, 1997.

 1997 – Postgraduate scholarship from University of Qld to undertake a Research Master’s degree in Creative Writing.

 First Place in the Texas Grand Slam performance poetry events at the Austin International Poetry Festival, USA, 1994.

 1993 – First prize in the short story section, Northern Rivers Writers’ centre Annual Literary Awards.

 1990 – Scholarship to undertake 3 month intensive television production course at AFTRS, Melbourne

 1978 – Dux of Humanities, St Leonard’s College, Melbourne

Other Activities

As a poet, performer and singer, Liz has appeared at countless venues over many years, as well as the well-known La Mama Poetica (Melbourne), Woodford Folk Festival, Queensland Poetry Festival, Sydney International Poetry Festival, Overload Poetry Festival (Melbourne), and the Austin International Poetry Festival (Texas, USA).

Since the early 1980’s she has been reciting and singing in public as well as publishing on paper, and her work has been broadcast on radio and on ABC TV. She has worked with various poetry and music groups, including ‘The Word Warriors’ (1990-1), ‘Stand-Up Poets’ (1992-4), and ‘Ozpoets’ (USA tour 1994).

In recent years her performance work has largely been either solo or in collaboration with partner Kim in the music/poetry duo, ‘Fit of Passion’. They have also worked together as community artists on a variety of freelance or contract-based projects aver the past 14 years.

In 1996 she began working with blues/roots trio, ‘Cathouse Creek’, singing and playing bush bass.  Later, she began playing the Autoharp and gigging with her partner Kim as a roots-blues-alternative country duo, ‘Swampfish’.  They released a self-titled CD in late 2014 comprising 9 original and 5 cover songs, which was well-received by community radio and the local folkie scene. (For more information, look under the ‘Music’ tab.)

Work in progress: a realist novel, working title, The Death of Jimi Hendrix. Archiving physical books, videos, audio cassettes, PR posters, poetry books, published poetry, stories and articles, and media to this site for preservation. Blogging on whatever suits her.

She lives in Southeast Queensand with her partner and an assortment of intelligent, cheeky parrots.

Photo Caption: SWAMPFISH – duo Liz Hall-Downs and Kim Downs, play roots-blues-alt-country originals and covers.  See ‘Pages’ for more info, videos and audio links, and to check out our 2014 CD ‘Homeward Dove’.




19 thoughts on “Welcome! And About Me

  1. craigscan

    Bloody terrific, Liz.
    For some reason I’m remembering your vegie patch on the railway bank. You’re a real survivor, damn hard worker, great writer and a lot of fun xxx

      1. Paul Kulhawycz

        Hi Liz could please call me on 0438866511 love to chat with you haven’t talked for a long time

  2. Dennis Woodley

    Liz, I only recently found my copy of “Writers of the Storm” I am such a hoarder. There are still boxes I have not unpacked since I moved to Queensland almost six years ago. Your Bitch Poem is fabulous and always a crowd pleaser although I’m sure it made some audience members squirm. A couple of years back I visited my son in Ubud, Bali for two weeks and after a week of so your poem “as boring as nirvana” sprang to mind. At the time I quoted your title and wished I had the full poem to read to the very few people I met who were not on the clean, healthy path to enlightenment. haha. Love your work.

    1. Liz Hall-Downs

      Sorry I took so long to find this, it was in my Spam folder! ‘Boring as Nirvana’ was actually about the death of Kurt Cobain, which happened while we were on tour in 94. I don’t think it was published anywhere except for ‘Writers of the Storm’ …

    2. Liz Hall-Downs

      Ha, edited my reply, I now remember the poem you mean.
      There WAS a poem about Kurt Cobain called ‘you are not my role model’ from that period that I wrote in Austin after he suicided. It became part of the Fit of Passion show interchange list.

      Then there was also ‘boring as nirvana’, which became part of the Fit of Passion show but was only published in ‘Writers ofthe Storm’. About ‘clean living’ and the Byron Bay subculture.
      I should’ve called it ‘Not the Band’, most people expcted it to be about Kurt.
      Ah the 90s …

  3. Alex Krysinski

    Brilliant and ongoing life of Liz. I admire your tenacity to put all this together. It’s a good, good thing.

  4. Lauren

    Wow, Liz, what a great resource. Congrats, and I get what you mean about feeling like a bit of an ego-head putting such a site together, but that’s just some female conditioning to get over. Blokes have no qualms about self-promotion. I too have to swallow my humility and make myself push my own barrow, bang my own drum etc. cos aint nobody else going to do it for my work, my art, now that I’m way past my fuck-by date (though connoisseurs know better!)…and I believe in the value of my work, above all. As you do, and rightly so.

    1. Liz Hall-Downs

      Ha, thanks! Had this domain for 4 years before finally getting it together!
      As I said on the homepage, being ‘disappeared’ really pissed me off.
      And gave me the impetus.
      So … thought I’d just let the work speak for itself.

      Also … you are, and will always be, beautiful! ❤️

  5. Steve Gregory

    So much to say and so little time to do so
    LOve your work Liz and your play
    You are now so far away
    And of three cars all are broken
    Miss you Liz
    We had some great times
    All those years ago

    Steve xx

  6. Garry

    Liz glad to see you still love your work.thanks for getting me back to melb all those years ago and yes i still haven’t found what I’m looking for anyway you sound very happy keep well cheers

    1. Liz Hall-Downs

      Glad you like it John, thanks for visiting.
      I tell everyone I know who were active in the arts pre internet that this digitising of our archives is so important to our personal legacies (such as they are).

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